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Information

Box Office Hours:
Monday – Friday, 10 am – 4:30 pm
Closed Saturday & Sunday unless there is a performance.

H. Ric Luhrs Performing Arts Center
Shippensburg University
1871 Old Main Drive
Shippensburg, PA 17257
(717) 477-SHOW (7469)

Xperience: Bazzi featuring Bryce Vine and TBA powered by APB


Saturday, February 2, 2019 - 7 PM

Tickets:  Public - $65, $55, $45 & $35 
               SU Students with ID - $45, $35, $25 & $15 
              * Ticket limit of 8 tickets per purchase.

This performance is presented by Shippensburg University APB Concerts.

Grasping smoked-out sensual R&B and widescreen pop sensibilities inside of an eighties-inspired high-fashion fever dream, Michigan-born and Los Angeles-based singer, producer, songwriter, and multi-instrumentalist Bazzi wants to take you on a trip.

“There’s a genuine feeling in my music,” he exclaims. “It’s a mix of everything I grew up on—from rock to pop. You hear the guitars and real drum sounds with modern day elements and weird samples. It’s odd and different. It’s got a swag and flow, but you’re in this fantasy world at the same time.” 

Long before unlocking that place, he took the first step on his musical journey back in Kenton, MI. Born to a Lebanese immigrant father and American mother, he shares stories of dressing up as Elvis to perform in front of the neighbors and dancing to Ricky Martin across the living room with a comb doubling for a microphone. Returning from a trip to Lebanon, Dad brought home an Oud, and a four-year-old Bazzi immediately took to the instrument. By the age of six, he picked up a traditional acoustic.

Fascinated by music, the budding talent devoted his high school years to uploading tracks online as he obsessed over diverse influences ranging from Justin Timberlake and Bryson Tiller to Duran Duran and Guns N’Roses. During senior year, he and pops moved to L.A. so Bazzi could properly pursue a career in music. While finishing high school on the West Coast, he constantly wrote and produced, creating his own soundscapes by hand on guitar, piano, and drums.

At this point, a distinct vision began to unfold in tandem with a personal revelation.

“Finding my sound went exactly parallel with me knowing myself better,” he admits. “The deeper I got into understanding myself and learning to love myself, the more I was able to hone into the sound. I’ve always felt like authenticity speaks so loud when you actually have a voice. We’re raised in an insecure society. I think people mistake confidence for being conceited. I embraced who I am rather than wishing I was someone different. The music grew as a result.”

He independently released “Alone” on Soundcloud in 2017. Organically, the song generated over 1 million Spotify streams within a few months’ time and peaked in the Top 10 of the US Viral Chart. Next up, Bazzi unveiled “Beautiful.” After teasing a 30-second clip of the melody on Twitter, the snippet instantly received 3,000 retweets encouraging him to finish the entire tune. 

With lush instrumentation, expansive production, and a heavenly hypnotic hook, the track graced key Apple Music playlists such as “Best of the Week,” “A-List Pop,” “Breaking Pop,” “Future Hits,” “Relationship Goals,” and more.

“It was just a vibe,” he reveals. “I was inspired by the ‘Beautiful angel’ line. I just laid the chords down and freestyled the melody. You should feel like you’re in a dream when listening.”

It was his following release, “Mine,” that quickly solidified him as one of 2018’s breakthrough artists. Over a sultry and simmering beat punctuated by the magical pluck of a heart and video game warbles, he croons intoxicating lines like, “You so f*** precious when you smile.”  

“We were hanging in the pool at my friend’s house,” he states. “I went in the kitchen to grab a water, and ‘Mine’ literally hit me. I rocked that beat with my boys Rice N’ Peas and went for it.”

Following incredible editorial support from Apple Music, the track hit #1 on their Pop Streaming chart and soon-after climbed to #1 on Shazam’s Global Top 100 and both Spotify’s US Viral 50 and Global Viral 50 charts. “Mine” marked Bazzi’s debut on the Billboard Hot 100 along with both Top 40 and Rhythmic radio, proving to be an unprecedented favorite. The track went on to reach #1 at Pop Radio and has since attained RIAA certified triple platinum status with over 350 million total plays. 

Of his debut album COSMIC, Bazzi describes the project as “honesty.” “It’s truthful, every single song is an extension of me and a truthful piece of inspiration from my past or something I’m currently going through.” COSMIC has been streamed more than 1.5 billion times globally. 

Ultimately, Bazzi is well on his way, and he’s inviting everyone along for the ride.

“I hope people listen to my music and leave with that good energy,” he leaves off. “The goal is for them to feel sexy and confident as they blare it with their windows down. It’s like a trip.”

Opening for Bazzi, is artist Bryce Vine.  Pinning Bryce Vine down to one sound is tricky. There’s the bass-heavy reality rap he was baptized in, flying down Los Angeles’ freeways with his father. The bright and sunny pop aesthetic of a happy childhood in Manhattan. The DIY ethos of the punk band he formed in high school. The loose and breezy reggae and gospel ensembles of college. The mellow stylings of crooner jazz and classic soul.

His keen blend of laid back, in-the-cut hip-hop and anthemic choruses —or, as Bryce describes it, “If Outkast and Blink-182 got drunk with the Gorillaz and started playing music together” – prompted Entertainment Weekly to praise Vine’s “boundary-pushing aesthetic” and hail him as one of the “artists who will rule 2018.” His buzzy current single, “Drew Barrymore,” is climbing the charts at both Top 40 and Rhythm radio and has helped earn him over three million monthly listeners and 110 million plus streams on Spotify. Now gearing up for his major label debut, via Sire Records, Bryce Vine is poised to break out and shift the musical conversation.

An additional opener will be announced at a later date.


 
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